380x289mm Booklets
Full colour print throughout
52pp Self Cover
onto 100gsm 100% Recycled Uncoated
Trimmed, collated and wire stitched
The JGM Gallery’s latest publication, “Weer Loo – The Cry of the Curlew,” exemplifies the pinnacle of London Gallery Artist Catalogues. This large format art book, expertly printed by Ex Why Zed, showcases the rustic beauty of Australian landscapes through vivid watercolours. Our detailed review captures the essence of the book’s design aesthetics, thematic significance, and innovative production techniques, while the insightful email exchange with JGM Gallery highlights our dedication to quality and timely delivery. Explore how we bring the highest standards of custom art book printing to life.
“Weer Loo – The Cry of the Curlew” is a celebration of the Australian outback, focusing on its unique landscapes and the deep connection between the land and its Indigenous people. The catalogue’s thematic essence captures the spirit of reconciliation and the artist’s journey through his traditional homeland, offering viewers an authentic glimpse into the cultural heritage and natural beauty of the region.
The catalogue in the form of booklet printing is styled with a rustic and earthy aesthetic, reflecting the natural landscapes it showcases. The use of uncoated, recycled paper adds to the organic feel, making each page turn a tactile experience and similar to newspaper printing. The cover features a striking image of a gorge, setting the tone for the journey within.
The design of the catalogue is minimalist yet impactful, allowing the artwork to take center stage. The layout is clean and uncluttered, with ample white space that highlights the detailed watercolour paintings. The choice of oversized typography for quotes adds a dynamic element, drawing attention to the artist’s words and insights.
The colour palette of the catalogue is dominated by earthy tones, mirroring the natural hues of the Australian outback. Shades of brown, red, and green create a harmonious backdrop for the vibrant watercolours, enhancing the visual appeal without overpowering the artwork.
Typography is used thoughtfully throughout the catalogue, with a focus on readability and emphasis. The oversized quotes in bold, sans-serif fonts contrast with the body text’s elegant serif, creating a balanced visual hierarchy. The text is well-spaced, ensuring a comfortable reading experience.
The page layout is designed to guide the viewer through the artist’s journey seamlessly. Full-page images are paired with accompanying text on adjacent pages, creating a rhythmic flow that encourages contemplation. The inclusion of an interview with the artist adds depth, offering personal insights and context to the visual narrative.
The catalogue is wire-stitched, a choice that combines durability with simplicity. This binding method ensures the booklet lays flat when open, providing an uninterrupted view of the artwork across spreads. The choice of 100gsm recycled paper adds to the sustainability and tactile quality of the publication.
“Weer Loo – The Cry of the Curlew” tells a story not just through its images but also through its structure. The progression from the artist’s background to his current works creates a cohesive narrative, inviting readers to immerse themselves in his world. The use of quotes and interviews enriches this storytelling, making it a multi-dimensional experience.
Julius Killerby from JGM Gallery aimed to produce an exhibition catalogue for the upcoming show featuring stunning Australian landscapes. His goal was to have the catalogue ready ahead of schedule and delivered to the gallery by the requested date. This timely delivery was crucial for the exhibition’s success, and Julius valued the high quality and professional presentation of the catalogue.
Julius’s primary concern was the delivery timeline, especially with a bank holiday impacting production schedules. He sought assurance that the catalogues would be delivered on time despite this potential delay. Additionally, ensuring the quality of the prints to match the beauty of the provided photographs was essential.
Ex Why Zed leveraged their experience and expertise to manage the client’s expectations and provide timely solutions:
Julius appreciated the responsiveness and flexibility of Ex Why Zed, highlighting the positive impact of their support on the project’s success:
“Thanks as always” – Julius Killerby
The email exchange between Julius Killerby of JGM Gallery and Mike from Ex Why Zed exemplifies a successful client-service provider relationship. Julius’s initial email outlined his request for the exhibition catalogue delivery ahead of schedule. Mike’s prompt response highlighted the stunning quality of the photographs and addressed the potential delay due to the bank holiday. Despite this, Mike assured Julius of their best efforts to meet the deadline. Julius acknowledged the situation and expressed his appreciation for the team’s commitment and responsiveness.
In “Weer Loo – The Cry of the Curlew,” the harmonious blend of thematic significance, meticulous design choices, and sustainable materials culminates in a publication that does justice to the breathtaking landscapes it portrays. Our collaboration with JGM Gallery demonstrates our commitment to delivering superior quality even under tight deadlines, as evidenced by the positive interactions and feedback from the client. This project not only underscores our expertise in producing large format art books but also reinforces Ex Why Zed as the premier choice for custom art book printing in the UK.
